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About

Dr. John-Doe Yao Dordzro is a Senior Lecturer in the Department of Music and Dance at the University of Cape Coast, Ghana. With a robust academic background and extensive experience in music education, Dr. Dordzro is dedicated to advancing the field of music pedagogy and fostering a deep appreciation for Ghanaian music and culture.Dr. Dordzro earned his Ph.D. in Music Education from the University of Cape Coast in 2017, where he focused on the impact of rehearsal strategies employed by Ghanaian basic school band directors on students' performance. His research highlights the importance of effective teaching methods in enhancing musical skills and performance outcomes among young musicians. He also holds a Master of Philosophy in Music Education and a Bachelor of Arts in Music and Ghanaian Language, both from the same
institution.

In addition to his academic qualifications, Dr. Dordzro has a Diploma in Education, which equips him with pedagogical strategies to effectively teach and assess music students at various educational levels. His teaching philosophy emphasizes the integration of cultural heritage into music education, promoting social justice and multiculturalism within the curriculum.

As a dedicated educator, Dr. Dordzro has taught a wide range of courses, including Research Methods, Applied Music (Wind
Instruments), and Music in African Cultures. He is also actively involved in supervising undergraduate and postgraduate research projects, guiding students in their academic and professional development.

Dr. Dordzro's research interests are diverse, encompassing instrumental music pedagogy, community music, and the intersection of music with health and gender issues. He is particularly interested in research that challenges colonial legacies in education while promoting indigenous
knowledge systems and sustainable cultural practices. He has presented his findings at numerous national and international conferences, contributing to the global discourse on music education and cultural practices. His recent publications include articles in prestigious journals that explore various aspects of music education in Ghana and beyond. His publications include: Adaptation of indigenous approaches to Music Pedagogy, The incorporation of trumpet in borborbor dance of the Ewe people, Impact of Covid-19 on performing arts groups in Ghana, The indigenization of European military music and popular culture, Ghanaian collegiate music students who play brass instruments’ music education experiences at the pre-tertiary level, Impact of Ghanaian school band instructors’ rehearsal strategies on students’ performance, influences on basic school band pupils’ instrument choices,  and Basic school head teachers’ perceptions on the role of school Music among others.

In recognition of his contributions to the field, Dr. Dordzro has received several awards and grants, including a University of Michigan Presidential Fellowship, the North-West University International Teaching Week Fellowship in South Africa and multiple Erasmus+ mobility grants for teaching. He is also a member of several professional organizations, including the International Society for Music Education (ISME), Pan African Society for Music Arts Education (PASMAE), and the Ghana Music Teachers Association (GMTA).

Beyond his academic responsibilities, Dr. Dordzro is actively involved in community music initiatives and serves as a music director for various church choirs and bands. He is passionate about using music as a tool for social change and cultural expression, striving to create inclusive and engaging musical experiences for all. Dr. Dordzro's commitment to excellence in music education and his dedication to nurturing the next generation of musicians make him a valuable asset to the University of Cape Coast and the broader educational community.


Focus & expertise

Recent activity

🧪
Project Sep 2025

African Sonic Pedagogies Project,A project by the Africa Multiple Cluster of Excellence at the University of Bayreuth, funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany’s Excellence Strategy – EXC 2052/1 – 39071

🎤
Keynote lecture Sep 2025

Multiculturalism and Culturally Sustaining Teaching in Music Education.

🎤
Keynote lecture Sep 2025

Social Justice and Music Education in Africa: The Call for Public Pedagogy

📅
Conference Sep 2024

Vernacular and Ethnic Music in Higher Level Education: Colonial and Post-Colonial perspectives

🏅
Award Jan 2021

Carnegie Fellow of African Studies Association

Background

🎓 Education & qualifications

Doctor of Philosophy in Music Education

University of Cape Coast

2017

Master of Philosophy in Music Education

University of Cape Coast

2012

Career & positions

Departmental Registration & Exams Officer

Department of Music and Dance

Sep, 2020 to Aug, 2023

Head of Department

Department of Music and Dance

Aug, 2023 to Aug, 2026

Teaching & projects

As an educator in the field of music, I believe that teaching is not merely the transfer of knowledge but a transformative process that empowers students to explore their identities, express their creativity, and engage with their communities. My teaching philosophy is rooted in the principles of inclusivity, cultural relevance, and active engagement, which I strive to incorporate into every aspect of my instruction.

I prioritize a student-centered approach that recognizes the diverse backgrounds and experiences of my students. Each student brings unique perspectives to the classroom, and I aim to create an environment where all voices are heard and valued. By fostering a collaborative learning atmosphere, I encourage students to engage in meaningful discussions, share their insights, and learn from one another. This approach not only enhances their understanding of music but also cultivates critical thinking and interpersonal skills.

In my teaching, I emphasize the importance of culturally sustaining pedagogy, which acknowledges and celebrates the rich musical traditions of our students’ backgrounds. I integrate diverse musical genres and practices into the curriculum, allowing students to connect with their heritage while also exploring new musical landscapes. This approach not only fosters a sense of belonging but also prepares students to navigate an increasingly multicultural world.

I believe that music education should be an active and experiential process. I incorporate hands-on activities, group projects, and performance opportunities into my lessons to engage students fully. By participating in practical music-making experiences, students develop essential skills such as collaboration, creativity, and problem-solving. I also encourage them to reflect on their learning journeys, helping them to make connections between theory and practice.

Music has the power to effect social change, and I am committed to using my platform as an educator to advocate for social justice within and beyond the classroom. I challenge my students to think critically about the role of music in society and to consider how they can use their musical talents to address social issues. By fostering an awareness of social justice themes in music education, I aim to inspire my students to become advocates for equity and inclusion in their own communities.

As a lifelong learner, I model the importance of continuous professional and personal growth. I actively seek opportunities for professional development and stay informed about the latest research and practices in music education. I encourage my students to embrace a similar mindset, instilling in them the value of curiosity and resilience. By fostering a culture of lifelong learning, I prepare my students to adapt to the evolving landscape of music and education.

In conclusion, my teaching philosophy is driven by a passion for music and a commitment to nurturing the next generation of musicians and educators. I strive to create an inclusive, engaging, and socially conscious learning environment where students can thrive as individuals and as members of their communities. Through my teaching, I aim to inspire my students to not only become skilled musicians but also compassionate and engaged citizens.

Teaching philosophy

Projects

🧪

African Sonic Pedagogies Project,A project by the Africa Multiple Cluster of Excellence at the University of Bayreuth, funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany’s Excellence Strategy – EXC 2052/1 – 39071

Team Member

September 2022 - Present

🧪

Book project: "Brass band music in Ghana: History, artistry and social change"

Lead Author

January 2018 - Present

Publications ORCID 0000-0003-0366-2993 →

Engagements

🎤 Keynote lectures

Social Justice and Music Education in Africa: The Call for Public Pedagogy

North-West University School of Music, Potchefstroom, South Africa. · 2025-09-03

Multiculturalism and Culturally Sustaining Teaching in Music Education.

North-West University, Mahikeng campus, South Africa. · 2025-09-04

📅 Conferences attended

2024 Vernacular and Ethnic Music in Higher Level Education: Colonial and Post-Colonial perspectives Presenter · University of Limerick, Ireland

Honors & affiliations

🏅
Carnegie Fellow of African Studies Association
Carnegie Corporation of New York · 2021
🏅
University of Michigan African Presidential Scholars (UMAPS) program
University of Michigan · 2020
🏅
W. Andrew Mellon postdoctoral Fellowship
Rhodes University in Grahamstown, South Africa · 2019
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African Humanities programme Postdoctoral Fellowship
American Council of Learned Societies (ACLS) · 2019
🏅
Valedictorian at the 50th congregation of the School of Graduate Studies
University of Cape Coast · 2017
🏅
School of Graduate Studies grant for thesis completion
University of Cape Coast · 2016
🎓
University of Michigan African Presidential Scholars (UMAPS) program
University of Michigan, USA · 2020
🎓
Visiting Scholar
Rhodes University, Grahamstown- South Africa · 2019
🎓
African Humanities Postdoctoral (AHP) fellowship
American Council of Learned Societies (ACLS) · 2018
Member
International Society for Music Education (ISME) · 2019
Member
Ghana Music Teachers Association (GMTA) · 2019
Member
University Teachers Association of Ghana (UTAG) · 2018
Member
Performing Arts Teachers Association of Ghana (PATAG) · 2009

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